mysterious

In Ascension by Martin MacInnes

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PREMISE: Leigh grew up in Rotterdam, drawn to the waterfront as an escape from her unhappy home life and volatile father. Enchanted by the undersea world of her childhood, she excels in marine biology, travelling the globe to study ancient organisms. When a trench is discovered in the Atlantic ocean, Leigh joins the exploration team, hoping to find evidence of the earth’s first life forms – what she instead finds calls into question everything we know about our own beginnings.

Her discovery leads Leigh to the Mojave desert and an ambitious new space agency. Drawn deeper into the agency’s work, she learns that the Atlantic trench is only one of several related phenomena from across the world, each piece linking up to suggest a pattern beyond human understanding. Leigh knows that to continue working with the agency will mean leaving behind her declining mother and her younger sister, and faces an impossible choice: to remain with her family, or to embark on a journey across the breadth of the cosmos.

You ever read a book where every word feels important? Not just well thought out or well written, but actually critical to the story in a way that kind of carries a gargantuan weight. That’s what Martin MacInnes does. Across all three books he’s written he has a way of writing that is not just addictive in terms of the prose and the beauty of reading but somehow it’s as if every single word is of vital significance.

Unlike me, as I clearly can’t even explain why I like something. Good job I don’t do this book review (not that these are reviews) shit for a living. I’d have been sacked long ago.

I loved MacInnes’ first two books but this felt like a real step up and I think of it within a bracket of books I’ve read that have something cerebral, wondrous and magical about them. Very much looking forward to book no.4.

The 7 ½ Deaths of Evelyn Hardcastle by Stuart Turton

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PREMISE: Evelyn Hardcastle will be murdered at 11:00 p.m. There are eight days, and eight witnesses for you to inhabit. We will only let you escape once you tell us the name of the killer. Understood? Then let’s begin . . .

Evelyn Hardcastle will die. Every day until Aiden Bishop can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest. And some of his hosts are more helpful than others . . .

Here’s another one. Another book with such a great premise that you wished you’d thought of it yourself. It’s kind of like Groundhog Day meets Quantum Leap meets Freaky Friday meets Miss Marple. What a film that would be. And what a book this is. I read somewhere that it took Stuart Turton three months to plan out the book on a huge spreadsheet where he detailed every two minutes of every character’s day and their location in the house at each point and when you read the book you can easily understand why he needed to do this.

This is literally a book to get lost in; a book that needs 100% of your attention every time you pick it up as the term ‘labyrinthine plotting’ doesn’t even begin to describe it. The real genius, however, is that Mr. Turton pulls it off with aplomb. Absolutely perfect reading escapism.

Dark Matter by Michelle Paver

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PREMISE: January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he’s offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return–when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark…

I reckon horror is the toughest genre to write. That is, if you’re writing horror to scare people that is, rather than shock them. Any idiot can write something down that shocks people and nowadays violence is pretty much everywhere so to really shock with brutality and gore you have to go to extreme extremes, but to properly scare (or at the very least, make someone feel uneasy) with words alone is a toughie. Michelle Paver without doubt knows how to do that and, for me, Dark Matter is still her best book. Beautifully written, completely absorbing and is genuinely unsettling throughout.

Follow Me To Ground by Sue Rainsford

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PREMISE: Ada and her father, touched by the power to heal illness, live on the edge of a village where they help sick locals—or “Cures”—by cracking open their damaged bodies or temporarily burying them in the reviving, dangerous Ground nearby. Ada, a being both more and less than human, is mostly uninterested in the Cures, until she meets a man named Samson. When they strike up an affair, to the displeasure of her father and Samson’s widowed, pregnant sister, Ada is torn between her old way of life and new possibilities with her lover—and eventually comes to a decision that will forever change Samson, the town, and the Ground itself.

This book blew me away (so much so that it’s my Portland Award winner for 2020). Sooooo (the more O’s, the bigger the emphasis) beautifully written and a really unique premise and story. It stayed with me for ages afterwards too, floating around the largely blank space of my mind and coming to the forefront every so often. It’s one of the few books that I know I will find time to read again at some point when all this ‘new novels’ malarkey calms down and there’s no new releases for a year or two. Bound to happen at some point, surely.

The Glass Hotel by Emily St. John Mandel

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PREMISE: Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call.

I had no idea what this book was about going into it. I read it because I’ve read Station Eleven and Sea Of Tranquility and I adore those books. Like listening to Led Zeppelin II because you’ve previously heard IV and Physical Graffiti.

To keep the musical analogy going, some writers are like Michael Bublé’s vocals; silkily smooth, it all just works effortlessly. And then others are like that guy in the B52’s. ESJM’s writing is Bublé-smooth…SO good…

S. by JJ Abrams and Doug Dorst

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PREMISE: One book. Two readers. A world of mystery, menace and desire.

A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown.

Check out the pictures below. Yep, that’s this book. And yes, that’s a map, postcard and some sort of navigational device (I think). There’s shitloads of things like that in it. The book itself is aged to look ancient and somehow manufactured to look like people have actually written in it. As a piece of art it is pretty staggering. Absolutely worth the experience of reading it.

The kicker: there’s a Kindle version. A question of how more than why, surely…

House Of Leaves by Mark Z. Danielewski

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PREMISE: A young couple – Pulitzer Prize-winning photojournalist Will Navidson and his partner Karen Green – move into a small house on Ash Tree Lane. It soon becomes clear that something is terribly wrong – their new home is bigger on the inside than it is on the outside. What happened next is loosely recorded on videotapes and in interviews, and impelled an eccentric old man to compile – on loose sheets of paper, stained napkins, crammed notebooks – a definitive account of what took place at Ash Tree Lane that seems to unveil a thrilling and terrifying history.

When you have a minute, go on Goodreads and check out some of the reviews on this book. Particularly the 1 star ones. I could pick any at random to make my point but I’m choosing one of the twattiest by a guy named David (cool name, bell end) who states his “overpowering disgust at the people who continue to naively read this book“. He relates the authoring of this book to the downfall of society (?) and concludes by saying “I fear for the future of humanity”. What a wanker.

I love this book and would urge anyone to read it. It’s like nothing you’ve ever read before. But that’s just my opinion. Some people clearly don’t like it and some do. That’s how reading works. And, in general, any type of art. I’ve read a few books I didn’t like but I can’t think of any time I then felt disgust at people who did like them. Fuck off David. I fear for the future of humanity mainly due to colossal fucknuggets like you.

Never Let Me Go by Kazuo Ishiguro

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PREMISE: Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.

Man, this one is a lingerer. I’m reading an old Carl Hiaasen novel at the moment (always fantastic) but this baby keeps popping into my head. Another book where you can’t help wondering whether something like it will eventually happen. Let’s hope not. A great read.

All The Colours Of The Dark by Chris Whitaker

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PREMISE: Late one summer, the town of Monta Clare is shattered by the abduction of teenager Joseph ‘Patch’ Macauley. Nobody more so than Saint Brown, who will risk everything to find her best friend.

Patch lies alone in a pitch-black room – until he feels a hand in his. Her name is Grace and, though they cannot see each other, she lights their world with her words. But when he escapes: there is no sign she ever even existed. Left with only her voice and her name, he paints her from broken memories – and charts an epic search to find her.

Straight into my top 5 all-time favourite reads. Absolutely astonishing book which, I’m more than happy to admit, made me cry at the end.

2026 update…this baby is my 2025 Portland Award winner.

How High We Go In The Dark by Sequoia Nagamatsu

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PREMISE: Dr. Cliff Miyashiro arrives in the Arctic Circle to continue his recently deceased daughter’s research, only to discover a virus, newly unearthed from melting permafrost. The plague unleashed reshapes life on earth for generations. The story follows a cast of intricately linked characters spanning hundreds of years as humanity endeavours to restore the delicate balance of the world.

On Goodreads, some bellend called Henk writes a review of this book that says something like ‘Great ideas but lacking execution’. Well, fuck off Henk. Sorry, I must have missed your Booker Prize-winning novel. You judgemental twat. Anyway, this is one of the best books I’ve read in a long time with a heart and emotional punch that is pretty breathtaking. Absolutely loved it, which is reflected in the fact that it’s the 2024 Portland Award winner.